Skip to main content

Apple Music adds Dolby Atmos and hi-res lossless music at no extra cost

Today Apple announced a big expansion of Apple Music: The company is adding spatial audio with support for Dolby Atmos Music, and lossless music in up to 24-bit/192KHz for all of its subscribers at no extra cost, starting in June 2021.

When the new catalog launches, by default, Apple Music will automatically play Dolby Atmos tracks on all AirPods and Beats headphones with an H1 or W1 chip, as well as the built-in speakers in the latest versions of iPhone, iPad, and Mac. It will also work with non-Apple wired and wireless headphones, though Apple’s products may not recognize these third-party headphones for automatic Dolby Atmos playback.

Recommended Videos

“Listening to a song in Dolby Atmos is like magic,” said Oliver Schusser, Apple’s vice president of Apple Music and Beats. “The music comes from all around you and sounds incredible. Now we are bringing this truly innovative and immersive experience to our listeners with music from their favorite artists like J Balvin, Gustavo Dudamel, Ariana Grande, Maroon 5, Kacey Musgraves, The Weeknd, and so many more.”

Apple iphone12 jbalvin apple music screen
Image used with permission by copyright holder

Dolby Atmos differs from standard two-channel stereo in that it creates a 3D, immersive sound field, in which the placement of musical instruments and vocals can be in front, behind, or above the listener, as opposed to just left and right placement.

To help Apple Music subscribers identify which albums are available in Dolby Atmos, a badge on the album detail page.

Apple hasn’t indicated how many tracks will be available in Dolby Atmos at launch, but it did say that more than 75 million songs will be available in lossless audio, using the Apple Lossless Audio Codec (ALAC) codec. For Apple Music, lossless audio starts at CD quality, which is 16-bit at 44.1kHz and goes up to 24 bit at 48kHz. These tracks are playable natively on Apple devices.

 

Because Apple devices do not support high-quality Bluetooth codecs like aptX HD, LDHC, or LDAC, to listen to these lossless tracks at full quality, you will need a wired set of headphones with a lightning connector or a regular set of wired headphones and a lightning-to-3.5mm adapter.

However, Apple is also going to offer lossless audio at a resolution that qualifies it as hi-res audio, up to 24-bit/192KHz. Apple’s wireless headphones like the AirPods and AirPods Pro do not natively support these higher resolution tracks and Apple hasn’t said how its customers will be able to listen to them.

Typically, fans of hi-res audio either use an Android phone with a built-in digital-to-analog converter (DAC) that can support 24-bit/192KHz, or they buy an external DAC that works with hi-res formats.

To start listening to lossless audio, you’ll need the latest version of Apple Music. Within the app, go to Settings > Music > Audio Quality. From that screen, you can choose different resolutions for different connections such as cellular, Wi-Fi, or for download.

Simon Cohen
Simon Cohen is a contributing editor to Digital Trends' Audio/Video section, where he obsesses over the latest wireless…
Dolby Atmos FlexConnect gets its first competitor at CES 2025
Diagram showing Fraunhofer IIS UpHear Flexible Rendering.

Dolby Labs' Dolby Atmos FlexConnect platform is a clever concept. It's software that's designed to be built into a TV, where it performs some room calibration magic, ultimately letting you place your speakers anywhere you want, while still getting an Atmos experience. And now it has its first competitor: Fraunhofer UpHear Flexible Rendering.

Fraunhofer Institute for Integrated Circuits (better known as Fraunhofer IIS, or just Fraunhofer) -- the organization that created the ubiquitous MP3 music format -- will be demoing UpHear Flexible Rendering at CES 2025, exactly one year after the first demos of Dolby Atmos FlexConnect.

Read more
Apple Music adds three new radio stations for Latin, club, and chill fans
An iPhone displaying the Radio tab in Apple Music.

Apple Music has just doubled the number of its live hosted radio stations from three to six, with the addition of Apple Música Uno, Apple Music Club, and Apple Music Chill. The new stations are available now, from anywhere in the world. They join the existing radio lineup that includes the flagship Apple Music 1, Apple Music Country, and Apple Music Hits. Despite that they live under the Apple Music brand, you don't need an Apple Music subscription to access these stations -- they're available for free in the Apple Music app on both mobile and desktop platforms or on the web.

Apple Música Uno, as the name suggests, is a dedicated station for global Latin music, hosted at launch by Becky G. She'll be joined by fellow Latin stars Rauw Alejandro and Grupo Frontera, who will each host their own shows.

Read more
Dolby Atmos Music in a Rivian R1S is a transformative experience
The center console touchscreen in a Rivian R1S displaying Dolby Atmos Music tracks on Apple Music.

When most of us think about Dolby Atmos, an immersive movie experience with loads of speakers is what comes to mind. It is, after all, where the first Dolby Atmos experience happened back in 2012 at the El Capitan Theater in Hollywood. The object-based surround sound system extended into the home a couple years later, initially requiring either up-firing speakers (integrated into the speakers or added with a separate module on top of a speaker) or ceiling-mounted speakers paired with an AV receiver (AVR). Later, soundbars made the point of entry for Atmos easier, sometimes utilizing advanced virtualization to accomplish the feat instead of discrete speakers.

Dolby Music then followed, with R.E.M.'s 25th anniversary remix of Automatic for the People being one of the first major releases. It was a bit slow going until streaming services began supporting the format more and, perhaps more importantly, major headphones manufacturers included spatial audio in their releases. In my experience, Dolby Music can be a hit-or-miss experience. Even on my home setup, I sometimes sit back while listening to a Dolby Atmos mix and just think, "Why bother?" before putting on a stereo recording. But when it's right, oh man is it good, and I recently got the chance to hear a demo that was so very, very good.

Read more