Skip to main content

A married couple uncovers a mystery in Peacock’s The Resort

The vast majority of Peacock‘s original series tend to be fairly conventional, like Rutherford Falls. But this summer, The Resort is spicing things up with a splash of comedy, romance, and possibly a dark murder mystery that goes back over a decade. How I Met Your Mother and Made For Love star Cristin Milioti is headlining the new series as Emma alongside The Good Place‘s William Jackson Harper, who will portray Emma’s husband, Noah. In the new trailer below, Emma and Noah celebrate their 10th anniversary together at a tropical resort. But things start to veer off-track when Emma discovers a clue to the fate of a long-missing teenage boy named Sam Knowlston (Skyler Gisondo).

The Resort | Official Trailer | Peacock Original

The trailer also offers some insight into Sam’s life shortly before he went missing 15 years earlier. He arrived at the resort with his parents, Carl (Dylan Baker) and Jan Knowlston (Becky Ann Baker), as well as his girlfriend, Hanna (Debby Ryan). However, Sam disappeared alongside another girl whom he didn’t know prior to his arrival. Emma is so intrigued by the mystery that she refuses to let it go, even when Noah warns her that there may be no answers left to find.

Recommended Videos

Here’s the official synopsis courtesy of Peacock:

Please enable Javascript to view this content

“A multi-generational, coming-of-age love story disguised as a fast-paced mystery about the disappointment of time. An anniversary trip puts a marriage to the test when the couple finds themselves embroiled in one of the Yucatan’s most bizarre unsolved mysteries that took place 15 years prior.”

Cristin Milioti and William Jackson Harper in The Resort.
Image used with permission by copyright holder

Luis Gerardo Méndez also stars in the series as Baltasar Frías, with Nina Bloomgarden as Violet Thompson, Nick Offerman as Murray Thompson, Gabriela Cartol as Luna, Ben Sinclair as Alex, Michael Hitchcock as Ted, and Parvesh Cheena as the other guy named Ted.

The Resort was created by Sam Esmail and Andy Siara. The series will premiere on Peacock on July 28.

Blair Marnell
Blair Marnell has been an entertainment journalist for over 15 years. His bylines have appeared in Wizard Magazine, Geek…
‘Mission: Impossible – The Final Reckoning’ director says the movie has ‘the most difficult thing we’ve ever done’
Tom Cruise stares with a concerned look on his face.

The Mission: Impossible movies are known at this point for including at least one death-defying stunt from star Tom Cruise. Cruise seems hellbent on putting his life in danger for the benefit of audiences, and thus far, that dedication has led to some pretty excellent movies.

Mission: Impossible - The Final Reckoning may or may not be the final installment in the franchise, but director Christopher McQuarrie is already suggesting that the movie has one of the biggest stunts in the franchise's history. In speaking with Empire (per GamesRadar), he said that the film contains "the most difficult thing" they've ever done with the series. Unfortunately, he didn't go into detail about what the sequence involved.

Read more
Adam Scott learned to run for the ‘Severance’ opening sequence by watching Tom Cruise
Adam Scott holds blue balloons in Severance season 2.

Few men in the history of cinema have more famous runs than Tom Cruise, so it makes sense that Adam Scott turned to the movie star when it came time for his major running sequence in the Severance season 2 premiere.

Scott discussed the opening scene with executive producer and director Ben Stiller on the official Severance podcast and also explained just how long the sequence took to shoot.

Read more
20 years ago, they brought a John Carpenter classic into the 2000s
Laurence Fishburne and Drea de Matteo crouch by a window in a shot from the 2005 movie Assault on Precinct 13.

The first thing you miss is the music. That funky, synthesizer throb. That heartbeat of stone-cold menace. Everyone loves the iconic tinkle of John Carpenter’s Halloween theme, but two years earlier, he composed a score every bit as infectiously stark, instantly setting the tone of his low-budget 1976 thriller Assault on Precinct 13. When Hollywood got around to remaking Assault in 2005, they went a different way musically. (The trend of modern genre movies with throwback electronic soundtracks was still a few years off.) Right from the jump, you feel the difference. The conspicuous absence of vintage Carpenter boogie is merely the most audible sign that a minimalist classic has been fruitlessly maximalized.

In the dubious field of remaking John Carpenter movies (a matter on which the director himself has been bluntly, hilariously pragmatic), the 21st-century Assault on Precinct 13 sits far from the bottom. It might, in fact, be the cream of a crop that includes an entirely forgettable upgrade of The Fog that opened just a few months later, a redundant prequel to The Thing, and Rob Zombie’s numbingly extreme Halloween. But the aughts Assault, which turns 20 years old today, also neatly illustrates and maybe exemplifies how these do-overs go wrong: They always manage to sacrifice the elegant simplicity of Carpenter’s work. 

Read more